Invariably, one gravitates towards works such as Mifsud’s digital photomontages, in which local slices of natures are supplemented with trees borrowed from the Dutch master Meindert Hobbema, or a section of Gloucester Cathedral.
John McDonald, “Westerly Directions”, Spectrum, Sydney Morning Herald, 23-24 July 2005
Title Size/cm Medium Frame/Mount Edition
1. Lost and Found in My Garden 2021 31 x 40 archival pigment on paper Unique
2. Back to Nature 2020 57 x 80 archival pigment on paper face-mounted Unique
3. Tide Past 2014 75 x 200 archival pigment on paper Unique
4. Rock Bridge (WA) 2013 75 x 108 archival pigment on paper Unique
6. Volcano 1 (Mt Ruapehu, NZ) 2012 75 x 108 archival print on paper Unique
6. Volcano 2 (Mt Ruapehu, NZ) 2012 75 x 108 archival print on paper Unique
7. Gulgong Street in Moonlight, 2012 53 x 80 archival print on paper Unique
8. View of Lombok, 2011 108 x 70 archival print on paper 2/2
9. Untitled (shift) 2009 54 x 85 archival print on paper framed Unique
17. Fence, 2004 75 x 120 archival pigment print on canvas stretched Unique
18. Homage to C.David Friedrich, 2004 120 x 76 archival pigment print on canvas stretched 3/3
19. Cathedral, 2004 160 x 85 archival print face-mounted Unique
20. Dusk 1, 2004 108 x 84 archival print on paper Unique
21. Dusk 2, 2004 108 x 84 archival print on paper Unique
22. Gold Grass, 1999 61 x 101 archival print on paper Unique
23. Bushscape, 1996 120 x 77 double sided archival print on clear acrylic Unique